William Blake (1757–1827)
A chronological overview of works by William Blake on Kalliope. Select a work to see its contents and read the texts included in the collection.
Litteratur
| Songs of Innocence (1789) |
| The Marriage of Heaven and Hell (1790) |
| Songs of Innocence and of Experience (1794) |
| Milton — a Poem (1804) |
| Jerusalem (1804) |
Kunst
Dante and Virgil Penetrating the Forest, 1824–27, blyant, blæk og vandfarve på papir, 371×527 mm.
Tate, London. ⌘
Dante Running from the Three Beasts, 1824–27, blyant, blæk og vandfarve på papir, 370×528 mm.
National Gallery of Victoria, Melbourne. ⌘
The Inscription over the Gate, 1824–27, blyant, blæk og vandfarve på papir, 527 × 374 mm.
Tate, London. ⌘
The Circle of the Lustful: Francesca da Rimini (‘The Whirlwind of Lovers’), 1824–27, blyant, blæk og vandfarve på papir, 243 × 335 mm.
Tate, London. ⌘
The Wood of the Self-Murderers: The Harpies and the Suicides, 1824–27, blyant, blæk og vandfarve på papir, 372×527 mm.
Tate, London. ⌘
Beatrice Addressing Dante from the Car, 1824–27, blyant, blæk og vandfarve på papir, 372×527 mm.
Tate, London. ⌘
The Deity, from whom proceed the Nine Spheres, 1824–27, blyant, blæk og vandfarve på papir.
Ashmolean Museum, Oxford. Dante and Virgil Penetrating the Forest, 1824–27, blyant, blæk og vandfarve på papir, 371×527 mm.
Tate, London. ⌘Dante Running from the Three Beasts, 1824–27, blyant, blæk og vandfarve på papir, 370×528 mm.
National Gallery of Victoria, Melbourne. ⌘The Inscription over the Gate, 1824–27, blyant, blæk og vandfarve på papir, 527 × 374 mm.
Tate, London. ⌘The Circle of the Lustful: Francesca da Rimini (‘The Whirlwind of Lovers’), 1824–27, blyant, blæk og vandfarve på papir, 243 × 335 mm.
Tate, London. ⌘The Wood of the Self-Murderers: The Harpies and the Suicides, 1824–27, blyant, blæk og vandfarve på papir, 372×527 mm.
Tate, London. ⌘Beatrice Addressing Dante from the Car, 1824–27, blyant, blæk og vandfarve på papir, 372×527 mm.
Tate, London. ⌘The Deity, from whom proceed the Nine Spheres, 1824–27, blyant, blæk og vandfarve på papir.
Ashmolean Museum, Oxford. Dante and Virgil Penetrating the Forest, 1824–27, blyant, blæk og vandfarve på papir, 371×527 mm.
Tate, London. ⌘Dante Running from the Three Beasts, 1824–27, blyant, blæk og vandfarve på papir, 370×528 mm.
National Gallery of Victoria, Melbourne. ⌘The Inscription over the Gate, 1824–27, blyant, blæk og vandfarve på papir, 527 × 374 mm.
Tate, London. ⌘The Circle of the Lustful: Francesca da Rimini (‘The Whirlwind of Lovers’), 1824–27, blyant, blæk og vandfarve på papir, 243 × 335 mm.
Tate, London. ⌘The Wood of the Self-Murderers: The Harpies and the Suicides, 1824–27, blyant, blæk og vandfarve på papir, 372×527 mm.
Tate, London. ⌘Beatrice Addressing Dante from the Car, 1824–27, blyant, blæk og vandfarve på papir, 372×527 mm.
Tate, London. ⌘The Deity, from whom proceed the Nine Spheres, 1824–27, blyant, blæk og vandfarve på papir.
Ashmolean Museum, Oxford.