William Blake (1757–1827)

Litteratur

Songs of Innocence (1789)
The Marriage of Heaven and Hell (1790)
Songs of Innocence and of Experience (1794)
Milton — a Poem (1804-18)
Jerusalem (1804-20)

Kunst

Dante and Virgil Penetrating the Forest, 1824–27, blyant, blæk og vandfarve på papir, 371×527 mm. Tate Gallery, London.                        
Dante Running from the Three Beasts, 1824–27, blyant, blæk og vandfarve på papir, 370×528 mm. National Gallery of Victoria, Melbourne, Australia.                        
The Inscription over the Gate, 1824–27, blyant, blæk og vandfarve på papir, 527x374mm. Tate Gallery, London.
The Circle of the Lustful: Francesca da Rimini (‘The Whirlwind of Lovers’), 1824–27, blyant, blæk og vandfarve på papir, 243x335mm. Tate Gallery, London.
Cerberus, 1824–27, blyant, blæk og vandfarve på papir, 372x528mm. Tate Gallery, London.
The Wood of the Self-Murderers: The Harpies and the Suicides, 1824–27, blyant, blæk og vandfarve på papir, 372×527 mm. Tate Gallery, London.                        
The Simoniac Pope, 1824–27, blyant, blæk og vandfarve på papir, 527x368mm. Tate Gallery, London.
Beatrice Addressing Dante from the Car, 1824–27, blyant, blæk og vandfarve på papir, 372×527 mm. Tate Gallery, London.
The Deity, from whom proceed the Nine Spheres, 1824–27, blyant, blæk og vandfarve på papir. Ashmolean Museum, University of Oxford.
Dante and Virgil Penetrating the Forest, 1824–27, blyant, blæk og vandfarve på papir, 371×527 mm. Tate Gallery, London.                        
Dante Running from the Three Beasts, 1824–27, blyant, blæk og vandfarve på papir, 370×528 mm. National Gallery of Victoria, Melbourne, Australia.                        
The Inscription over the Gate, 1824–27, blyant, blæk og vandfarve på papir, 527x374mm. Tate Gallery, London.
The Circle of the Lustful: Francesca da Rimini (‘The Whirlwind of Lovers’), 1824–27, blyant, blæk og vandfarve på papir, 243x335mm. Tate Gallery, London.
Cerberus, 1824–27, blyant, blæk og vandfarve på papir, 372x528mm. Tate Gallery, London.
The Wood of the Self-Murderers: The Harpies and the Suicides, 1824–27, blyant, blæk og vandfarve på papir, 372×527 mm. Tate Gallery, London.                        
The Simoniac Pope, 1824–27, blyant, blæk og vandfarve på papir, 527x368mm. Tate Gallery, London.
Beatrice Addressing Dante from the Car, 1824–27, blyant, blæk og vandfarve på papir, 372×527 mm. Tate Gallery, London.
The Deity, from whom proceed the Nine Spheres, 1824–27, blyant, blæk og vandfarve på papir. Ashmolean Museum, University of Oxford.
Dante and Virgil Penetrating the Forest, 1824–27, blyant, blæk og vandfarve på papir, 371×527 mm. Tate Gallery, London.                        
Dante Running from the Three Beasts, 1824–27, blyant, blæk og vandfarve på papir, 370×528 mm. National Gallery of Victoria, Melbourne, Australia.                        
The Inscription over the Gate, 1824–27, blyant, blæk og vandfarve på papir, 527x374mm. Tate Gallery, London.
The Circle of the Lustful: Francesca da Rimini (‘The Whirlwind of Lovers’), 1824–27, blyant, blæk og vandfarve på papir, 243x335mm. Tate Gallery, London.
Cerberus, 1824–27, blyant, blæk og vandfarve på papir, 372x528mm. Tate Gallery, London.
The Wood of the Self-Murderers: The Harpies and the Suicides, 1824–27, blyant, blæk og vandfarve på papir, 372×527 mm. Tate Gallery, London.                        
The Simoniac Pope, 1824–27, blyant, blæk og vandfarve på papir, 527x368mm. Tate Gallery, London.
Beatrice Addressing Dante from the Car, 1824–27, blyant, blæk og vandfarve på papir, 372×527 mm. Tate Gallery, London.
The Deity, from whom proceed the Nine Spheres, 1824–27, blyant, blæk og vandfarve på papir. Ashmolean Museum, University of Oxford.